How to prepare your track for mixing
A well-prepared session saves hours and improves the result. Export your parts from the start of the track, as 24-bit WAV, clearly named, with nothing on the master bus. Include a reference version and your notes.
Exporting properly
Every part starts at the same point. Export from zero on the project timeline, even if the instrument doesn't come in until the second minute. It's the only way to guarantee everything lines up on import.
24-bit WAV, at the project's tempo and sample rate. Avoid MP3, which has already thrown information away.
One file per element. Every drum mic separate, backing vocals separate from the lead, doubles on their own. Only group things you'd never want to touch separately.
Nothing on the master bus. Take off the output compressor and limiter. Do keep the effects that are part of the sound.
Which effects to keep
The rule is simple: if the effect is part of the writing, keep it. A distorted guitar, a rhythmic delay that holds the track up, a filtered synth — those are creative choices, not corrections.
Leave the engineer what's a setting: corrective compression, clean-up EQ, room reverb. If you're unsure, send two versions of the part, with and without.
What to send with it
A rough mix, however rough: it says what you're after better than a long message. The tempo and the key. Two or three references, with a line on what exactly you like about each. And what you're unsure about, if anything.
Name your files so they can be read: 01_KickIn, 02_SnareTop, 10_LeadVox. A clear folder saves half a day on a dense project. See our mixing page.
Common questions
Parts or stems?
Individual parts wherever possible — they leave the most room to work. Stems, which group several elements together, are fine when the session is very heavy or when certain decisions are settled for good.
My project is at 48 kHz. Should I convert it?
No. Deliver at the project's own sample rate. An unnecessary conversion adds a calculation and gains you nothing.
Tell us about your project.
We take on a limited number of projects each season. We read everything that comes in.