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Creative Sound Engineering & Artist Development
Angers · Brussels · Berlin

We pick your music up where it is and see it through to release.

Sony Music Universal Music Group Warner Classics 1,000,000+ streams across platforms
(01)Manifesto

Whoever sets the sound decides where the track goes.

No handover between the person producing and the person finishing. That's how we work, with a few artists at a time, between Angers, Brussels and Berlin.

(02)What we build

We work in stages. A single to test the water, an EP to give the work a shape, an album when there's enough behind it to carry one, and a longer relationship to keep all of that moving. We rarely start at the end.

01

Single

One track, taken all the way. A defined sound, a clear idea of what you're after, and something to build on.

  • A defined sound
  • A finished master
  • A direction for what's next
02

EP

The centre of what we do. Three to five tracks held together by one artistic direction, where the running order, the story and the sound all get decided together.

  • A running order that works
  • A narrative arc
  • A complete release
03

Album

A real partnership. We build a whole musical world, from the idea to the release.

  • A complete, coherent project
  • A clarified artistic position
  • Potential for a label, distribution, live work
04

Artist Development

Several seasons of work: releases that follow on from one another, a stage identity, a practice that holds up over time.

  • A release strategy
  • A stage identity
  • A practice that lasts

Artist development is the centre of our work: releases, an identity and a direction built over years. If that's what you're carrying, write to us.

(04)Who you'll work with Two signals, answering each other.

Two ways of working, one direction for the sound.

Joseph Tertrais, direction artistique et production chez Diaphonie Studio

Joseph Tertrais

Artistic direction & production

Joseph comes in before the track really exists. Arrangement, structure, sound development: his ground is the moment a vague idea finds its shape.

He starts early, at demo stage and sometimes at hunch stage. He sets a direction and holds it. An aesthetic choice that doesn't serve the song, he cuts.

In the studio he runs the sessions, steers the performance and makes the calls. He's also the one who makes an EP or an album hold together, track by track, until the whole thing says something.

Pierre-Louis Freund, ingénierie sonore et finalisation chez Diaphonie Studio

Pierre-Louis Freund

Sound engineering & finishing

Pierre-Louis picks the track up where production stops. Mixing, mastering, restoration. He works on precision, depth and balance, which is what separates a track that's finished from one that has merely stopped.

Trained in engineering and in computer-based music production, he sees the studio as a system as much as a place. Clear working methods, standards that don't move, a result that doesn't depend on how the day is going.

He also handles how projects are structured, from packages to release calendars, so that the work adds up instead of piling up.

(05)European network Three cities. One studio.

Angers

47.47° N — 0.55° W

A songwriting scene in western France, where the words carry as much weight as the production. Recording and production.

Brussels

50.84° N — 4.35° E

A crossroads of scenes and independent labels, between pop, jazz and electronic music.

Berlin

52.52° N — 13.40° E

The European capital of electronic music, with the club standards that come with it.

(06)Propose a project

Tell us about your project.

Propose a project

We take on a limited number of projects each season. We read everything that comes in.